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TRUST ME, I'M AN ARTIST > PODCASTS
   



Podcasts


    Heirloom and The Body Collected
Heirloom and The Body Collected, as seen by the curators, meeting with Louise Whiteley and Malthe Bjerregaard (in English), 23'46
Enregistré par Annick Bureaud le 27 mai 2016 à Copenhague dans le cadre du projet Trust Me, I'm An Artist
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM)

Louise Whiteley and Malthe Bjerregaard present the exhibition The Body Collected and the artwork by Gina Czarnecki & John Hunt Heirloom a living portrait of the artists's daughters based on the own cells, within the framework of the Medical Museion in Copenhagen scope and aims. They discuss the specific and ethical issues raised by displaying human dead bodies and body parts on the one hand and living tissue on the other in a museum.

This podcast is linked to the one with Gina Czarnecki and John Hunt who discuss the same work from the point of view of the artist and the scientist who created Heirloom.


    Heirloom
Heirloom, as seen by the artist and scientist, meeting with Gina Czarnecki and John Hunt (in English), 22'02
Enregistré par Annick Bureaud le 26 mai 2016 à Copenhague dans le cadre du projet Trust Me, I'm An Artist
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM)

Artist Gina Czarnecki and scientist John Hunt present their work Heirloom which is a living portrait of the artist's daughters consisting of a glass cast of their faces onto which their skin cells are growing within a bioreactor. A video document of the whole process and 3D scanning-printing sculptures complete the work.
They discuss the ethical issues raised by this work, from the consent forms to regenerative and personalized medicine.

This podcast is linked to the one with Louise Whiteley and Malthe Bjerregaard discussing the same artwork from the point of view of the curators.


  Cellular Propeller
Cellular Propeller, as seen by the artist, meeting with Howard Boland (in English), 18'27
Enregistré par Annick Bureaud 6 février 2016 à Berlin dans le cadre du projet Trust Me, I'm An Artist
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM)

The artist Howard Boland presents his project Cellular Propeller, not achieved at the time of the recording, and that consists of propelling an artificial object, namely a small wheel, with human sperm cells in a synthetic biology artwork. He discusses the ethical and aesthetical issues related to the creation of this work as well as his creative process.


  Molding the Signifier
Molding the Signifier, as seen by the artist, meeting with Ivor Diosi (in English), 23'10
Enregistré par Annick Bureaud le 20 novembre 2015 à Prague dans le cadre du projet Trust Me, I'm An Artist
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM) and extracts of Molding the Signifier sound track. Montage : Thibaud Marty.

The artist Ivor Diosi discusses his biocybernetic installation Molding the Signifier that he exhibited at the Ex Post cultural center in Prague in november 2015.
This podcast is linked to the one with Ondrej Cakl who discusses the same work from the point of view of the curator.


  Molding the Signifier
Molding the Signifier, as seen by the curator, meeting with Ondrej Cakl (in English), 12'15
Enregistré par Annick Bureaud le 20 novembre 2015 à Prague dans le cadre du projet Trust Me, I'm An Artist
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM). Montage : Thibaud Marty.

The curator Ondrej Cakl discusses his approach to the biocybernetic installation Molding the Signifier by Ivor Diosi that he showned at the Ex Post cultural center in Prague in november 2015.
This podcast is linked to the one with Ivor Diosi discussing the same artwork.


  Taste of Flesh / Bite Me I'm Yours
Confronting Vegetal Otherness: Skotopoiesis, as seen by the artist, meeting with Spela Petrič (in English), 15'09
Enregistré par Annick Bureaud le 12 septembre 2015 à Ljubljana dans le cadre du projet Trust Me, I'm An Artist
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM)

The artist Spela Petrič discusses her performance Confronting Vegetal Otherness: Skotopoiesis that she created in Ljubljana on September 10th-11th 2015.
This podcast is linked to the one with Jurij Krpan who discusses the same performance from the point of view of the curator.


  Confronting Vegetal Otherness: Skotopoiesis
Confronting Vegetal Otherness: Skotopoiesis, as seen by the curator, meeting with Jurij Krpan (in English), 19'34
Enregistré par Annick Bureaud le 11 septembre 2015 à Ljubljana dans le cadre du projet Trust Me, I'm An Artist
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM)

The curator Jurij Krpan discusses his approach, thinking and activities as Director of the Kapelica Galeriaj with a focus on Spela Petrič's performance Confronting Vegetal Otherness: Skotopoiesis that the artist created in Ljubljana on September 10th-11th 2015 as part of Trust Me, I'm An Artist, an EU funded project that is exploring ethical issues in art that engage with biotechnology and living organisms.
This podcast is linked to the one with Spela Petrič discussing the same performance from the point of view of the artist.


  Taste of Flesh / Bite Me I'm Yours
Taste of Flesh / Bite Me I'm Yours, as seen by the artist, meeting with Martin O'Brien (in English), 25'03
Enregistré par Annick Bureaud le 19 avril 2015 à Londres
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM)

The artist Martin O'Brien discusses his durational performance Taste of Flesh / Bite Me I'm Yours that he created in London on April 18th 2015.
This podcast is linked to the one with Jareh Das who discusses the same performance from the point of view of the curator.


  Taste of Flesh / Bite Me I'm Yours
Taste of Flesh / Bite Me I'm Yours, as seen by the curator, meeting with Jareh Das (in English), 22'02
Enregistré par Annick Bureaud le 19 avril 2015 à Londres
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM)

The curator Jareh Das discusses Martin O'Brien's durational performance Taste of Flesh / Bite Me I'm Yours that the artist created in London on April 18th 2015.
This podcast is linked to the one with Martin O'Brien discussing the same performance from the point of view of the artist.


   






Creative Europe   Le projet Trust Me, I'm an Artist est soutenu financièrement par le programme Creative Europe de l'Union Européenne.

The Trust Me, I'm an Artist project is supported by funding from the Creative Europe Programme of the European Union.


Le ArtSciLab du département ATEC de l'Université du Texas à Dallas soutient et participe à Trust Me, I'm an Artist par le biais des projets de publication expérimentale des Leonardo Initiatives qui incluent la chaîne Meta-Life sur la plateforme Creative Disturbance associée à Audiolats ainsi que le site web du projet Meta-Life.

The UT Dallas ATEC ArtSciLab supports and participates in the Trust Me, I'm an Artist project through the Leonardo Initiatives projects in Experimental Publishing including the Creative Disturbance platform channel on art and biology associated to Audiolats and the Meta-Life project website.



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