FEAT – Future Emerging Art and Technology – Podcasts

Recorded by Annick Bureaud on December 21st 2016 by skype, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project.
Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott “The Wire”, Sergey Lopoukha “Lull” (Universal Production Music Publishing), Stefanski “Last Light Lament” (Atmos Production Music/UNIPPM) and “Nouvelles Machines” by Pete Namlook & Geir Jenssen.
Artist Pinar Yoldas presents and discusses her approach to art and to art and science collaborations and detail her specific project in relation to the FEAT residency working with the DIACAT consortium that is developping a way to clean CO2 based on artificial diamond technologies.

Recorded by Annick Bureaud on October 21st 2016 at Le Lieu Unique in Nantes at the exhibition of Evelina Domnitch and Dmitry Gelfand “Le vide et la lumière”, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project.
Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott “The Wire”, Sergey Lopoukha “Lull” (Universal Production Music Publishing), Stefanski “Last Light Lament” (Atmos Production Music/UNIPPM) and “Nouvelles Machines” by Pete Namlook & Geir Jenssen.
Quantum physicist Tommaso Calarco discusses his relation to contemporary art and shares his experience of collaborating with the artist duo Evelina Domnitch and Dmitry Gelfand in the art-science FEAT residency programme.

Recorded by Annick Bureaud on September 10th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project.
Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott “The Wire”, Sergey Lopoukha “Lull” (Universal Production Music Publishing), Stefanski “Last Light Lament” (Atmos Production Music/UNIPPM), “Nouvelles Machines” by Pete Namlook & Geir Jenssen and the sound pieces “After Glows” and “Shake Flake” by Boredom Research.
Vicky Isley and Paul Smith forming the artist duo Boredom Research and Thomas Schmickl, the project leader of the scientific research project subCULTron talk about their respective approach of artificial life, both “in vitro” (artificial virtual creatures in a computer environment) and “in vivo” (robots and more precisely swarm of robots in natural environments). They present and discuss their common ground and questions in relation to the FEAT residency.

Recorded by Annick Bureaud on September 10th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project.
Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott “The Wire”, Sergey Lopoukha “Lull” (Universal Production Music Publishing), Stefanski “Last Light Lament” (Atmos Production Music/UNIPPM) and “Nouvelles Machines” by Pete Namlook & Geir Jenssen.
Evelina Domnitch and Dmitry Gelfand talk about their fascination for light that led them into quantum physics to create art installations and performances. They present and discuss their approach to art and to art and science collaborations and detail their specific project in relation to the FEAT residency.

Recorded by Annick Bureaud on September 9th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project.
Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott “The Wire”, Sergey Lopoukha “Lull” (Universal Production Music Publishing), Stefanski “Last Light Lament” (Atmos Production Music/UNIPPM) and “Nouvelles Machines” by Pete Namlook & Geir Jenssen.
Anna Dumitriu talks about her creation with bacteria and contemporary biomedicine and bioresearch, explaining how she combines high end bioresearch with craft techniques in her work. She presents and discusses her approach to art and to art and science collaborations and details her specific project in relation to the FEAT residency.

Recorded by Annick Bureaud on September 9th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project.
Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott “The Wire”, Sergey Lopoukha “Lull” (Universal Production Music Publishing), Stefanski “Last Light Lament” (Atmos Production Music/UNIPPM) and “Nouvelles Machines” by Pete Namlook & Geir Jenssen.
Ruth Jarman, from the duo Semiconductor, talks about how she and Joe Gerhardt are, in their art, looking for the langage of science and man signature in nature. This journey is then built into their animation films and sound works. She presents and discusses their approach to art and to art and science collaborations and details their specific project in relation to the FEAT residency.

Recorded by Annick Bureaud on September 9th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project.
Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott “The Wire”, Sergey Lopoukha “Lull” (Universal Production Music Publishing), Stefanski “Last Light Lament” (Atmos Production Music/UNIPPM) and “Nouvelles Machines” by Pete Namlook & Geir Jenssen.
Artists Špela Petrič and Miha Turšič and scientist George Beckett talk about their approach to supercomputer and supercomputing in relation to the FEAT residency. They focus and agree on the place of collaboration between art and science and put human at the center of the priorities.

Recorded by Annick Bureaud on September 8th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project.
Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott “The Wire”, Sergey Lopoukha “Lull” (Universal Production Music Publishing), Stefanski “Last Light Lament” (Atmos Production Music/UNIPPM) and “Nouvelles Machines” by Pete Namlook & Geir Jenssen.
Artist Kerstin Ergenzinger and scientist Simon Stellmer discuss the perception of time from their respective backgrounds and how they converge on the deep philosophical issues that are raised. They present and discuss their approach to art and to art and science collaborations and detail their specific project in relation to the FEAT residency.